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Why not subscribe (opens in new tab) to a print edition, and have the magazine delivered direct to your door every month?Īlternatively, we have a number of different digital options available, including: This tutorial originally appeared in N-Photo, the monthly newsstand magazine for Nikon photographers. We painted on these layers with the Brush tool set to white at a low opacity to add a gentle haze.

We’ve added a touch of mist in front of and behind the giraffe by making two layers, one underneath, one above. It can help a composite look more natural if you add effects and tonal shifts on top of everything, so it looks like the separate images contained within belong together. Finally, make an HSL adjustment layer at the top of the stack and reduce the saturation. Drag the new layer on top of the giraffe layer and shift the colours to cyan and green to match it with the backdrop. (Image credit: James Paterson) (opens in new tab)Ĭlick the Create Adjustment Layer icon and choose Colour Balance. Watch video: Get creative with composites in Affinity Photo

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